Description
About me
I DECONSTRUCT AND PRODUCE FROM A COUNTERCULTURAL ENVIRONMENT; I AM PART OF A PROTESTANT GENERATION AND DIRECTLY DISINTERESTED IN POWER; I AM PART OF A COMMUNITY FOCUSED ON SOCIAL CO-EXISTENCE ALWAYS ASPIRING FREEDOM IN EVERY CORPOREAL AND INCORPOREAL ASPECT OF DAILY LIFE. DEVELOPED IN A CONTEXT OF CONSCIENTIOUS PRIVILEGE ON THE BORDER, I QUESTION THE PHYSICAL LIMITS, THE MATERIAL VALUE AND HUMANIZATION OF THINGS. THE CONTENT ANALYZES AN OPPRESSED HUMANITY, DIVIDED AND BLINDED BY CONSUMPTION, A HUMANITY ENSLAVED BY OUTSIDER IDEALS. I USE TEXTILES AND PLASTIC AS A SOCIAL ACT AND VISUAL EVIDENCE OF MY ACTIVE ENVIRONMENT.
Work / Education
I RESCUE MATERIALS AND I TAKE THEM TO AN EXPERIMENTAL OR UNCONVENTIONAL USE MAKING DRASTIC CHANGES IN THEIR INITIAL UTILITY. I LIVE CLOSELY THE TEXTURES OF MY POPULAR CULTURE, SO THEIR COLORS, FLAVORS AND SMELLS ARE AN ASPECT OF INFLUENCE TO MY WORK. I EXPLORE SUSTAINABILITY IN A WAY APPLIED TO THE BODY WITH TEXTILE ART MADE AS A WEARABLE PROTEST THAT TAKES ANTI-DESIGN AS A STYLISTIC ALTERNATIVE AND IN PARALLEL THE MANUFACTURE OF HYBRID SCULPTURES WITH ARCHITECTURAL TRENDS THAT RESCUE SPACE AND OPEN DIALOGUE ABOUT PRIVATE PROPERTY. I START FROM THE ABSTRACTION WITHOUT ELIMINATING THE FIGURATIVE OF THE HUMAN BODY AND ITS BEHAVIORS. THE AESTHETICS OF MY PRODUCTION IS A CONTRASTING EXPLORATION, VISUALLY A MIXTURE OF MATERIALS AND PROCESSES THAT SPEAK OF A CONTACT BETWEEN THE ARTIST AND THE PIECE. MY WORK ELIMINATES THE "DO NOT TOUCH" AS PART OF THE MYSTICISM HANDLED IN THE CREATION PROCESSES AND IT’S NEUTRALLY OFFERED TO THE VIEWER.
