As of lately my work is focused on a series of reductive digital graphics resulting from intended ultra minimalist approach to source photographs. These photos, however, only serve as a necessary starting point into the exploration of the memory of matter. Works belong to a larger ongoing body of work - post-conceptual ultra minimalist organic abstracts, which are, technically speaking, near-terminal digital deconstruction of source photographs in search of a moment of tremendous discharge, the exact moment when the unity of pre-existing universe experienced its first schism as reflected in the memory of matter, a happy mishap of computer vision misrepresenting the reality and creative intervention of associative titling of the piece regardless of it's origin, more or less lost in the process.

Works being created digitally can be be presented in number of ways from original digital prints of various sizes all the way up to practical limits imposed by today's graphic and industrial printers, as well as presented digitally via various screens and projectors. Faux 3D or mixed 2D/3D installations are possible with an inherent assumption that these works essential existence is virtual by their nature, so in each and every instance they are being materialized is an approximation with all the particularities of the actual rendering process being a possible enhancement of the original process.