The abstraction bears the form of visibility, but it is the presentation of the artist’s inner pheromina of invisibility. It is He feels directly himself by the method of experiencing self-inspiration. The feeling of his being alive is internalized by approaching directly with his actions of seeing the matters and drawing them by his own explicit methods, not by these of others. In the world pervaded with informations the works of Lee Hyang Yeon renew these experiments and ask seriously the old questions what she is and what she is doing. Approaching directly is not the arrangement of informations but requires the personal feeling by experience.