My painting gives the picture to be made, a figure in the process of becoming, as a passing or a passing shadow, a "vision". Reality is rather busy than defeated. Through this ambivalence, the visual-picture-image (hand, eyes, body, etc. in complete with the non-figurative remnant) constitutes a moment, I call it "patic", of the representativeness of the pictorial environment, designating the instant comunication on which the artist has with the world at the level of interaction with the sensible. We see, in other words, what painting is at the same time as what it makes us feel at a certain iconic level of the referent, when he actually justifies his only existence of "painting".