LINES 130
Description
For many years I was looking for a way to paint the nature of water without illustrating it. Water is movement—flow and energy—with the line characteristics the same. Therefore, I reduced the forms and shapes I used in my paintings more and more until just the line was left. After a few years the “Line” became my new theme.
Today, I am working with a concept.
I start each work with an intuitively placed line to which I align all of the following lines. I then build up several layers of lines. By layering lines I create a condensing as well as an overlap. This is what I call “visual sensations” because the layering creates a shimmering effect.
While working, I find myself in a state of both excitement and meditation.
I am excited, because I can’t plan and predict how my work will turn out. Experiencing the process of creation is like an adventure. I simply know that there is an infinite variety of possibilities. My natural curiosity drives me to explore this.
The working process is meditative too, because I concentrate on the line and perceive nothing more than my breathing and the sound of the marker. With every line I become calmer. With each line I show a piece of myself. In so doing I document my breathing, my constitution and every disturbance. This is why I can’t plan or even “produce” my works with the computer, as is suggested so often. Such works made by a machine would be soulless, they won’t show what happens inside of me. My works shall be alive!
Today, I am working with a concept.
I start each work with an intuitively placed line to which I align all of the following lines. I then build up several layers of lines. By layering lines I create a condensing as well as an overlap. This is what I call “visual sensations” because the layering creates a shimmering effect.
While working, I find myself in a state of both excitement and meditation.
I am excited, because I can’t plan and predict how my work will turn out. Experiencing the process of creation is like an adventure. I simply know that there is an infinite variety of possibilities. My natural curiosity drives me to explore this.
The working process is meditative too, because I concentrate on the line and perceive nothing more than my breathing and the sound of the marker. With every line I become calmer. With each line I show a piece of myself. In so doing I document my breathing, my constitution and every disturbance. This is why I can’t plan or even “produce” my works with the computer, as is suggested so often. Such works made by a machine would be soulless, they won’t show what happens inside of me. My works shall be alive!
$800