I choose improvisation by intuition as the subject of most of my work.
Based on the theory that unconscious gestures that we are unaware of in moments that we tend to overlook are a true part of our thoughts and expressions,
I try to capture that moment as if I was taking a picture, so that the observer moves all his emotions
through the person to the world of emotions of different moments.
I paint the captured moment with ambiguity through moderation and omission.
In order to have various imaginary interpretations in an ordinary place or a place we encounter on a daily basis, but with unknown ambiguity.
Everything is my own and your story.
The main character of the story is me while I am drawing the work, but the observer who sees my work after completing the work.
I try to compose the observer's story by allowing the observer to immerse himself in the small details
such as the place, behavior, attire, expressed expression, and shadow in the work.